And the articles, they keep coming. WE managed to stir things a little bit.
Here’s an article by Maureen Dowd in the NY Times. She calls it “Frozen in a Niche?” in which she talks about Cate Blanchett becoming a challenger: “She chided industry colleagues “who are still foolishly clinging to the idea that female films with women at the center are niche experiences,” adding: “The world is round, people.”
Thank you Cate! Thank you Meryl Steep for talking about it. Thanks you Jodie Foster for combating the establishment at higher levels. As she told the Los Angeles Times: When men hire directors they say to themselves “I’m gonna hand over $60 million to somebody I don’t know. I hope they look like me.” She also criticized “risk-averse” female studio executives who regard female directors as too much of a risk. In Vogue, Claire Danes said she stopped working for two years before she got “Homeland” because she didn’t want to play “the girl.”
Ms. Dowd continues to say:
The percentage of women directing, writing, producing, editing and shooting films has declined since 1998, according to an analysis of the top 250 grossing films of 2013 by the Center for the Study of Women in Television and Film at San Diego State University. (The anticipated halo effect from Kathryn Bigelow becoming the first woman to win a directing Oscar for 2009’s “The Hurt Locker” never happened.)
The center’s latest report had some stunning stats: Women accounted for 6 percent of directors, 10 percent of writers, 15 percent of executive producers, 17 percent of editors and 3 percent of cinematographers. And women are still more likely to be working on romantic comedies, dramas or documentaries than the top-grossing, teenage-boy-luring animated, sci-fi and horror movies.
“Every time that a female-driven film like ‘Bridesmaids’ makes boatloads of money at the box office, it is considered a fluke, a one-off. Women comprise 52 percent of all moviegoers. Yet there’s still an assumption that men will not go to see a woman’s movie, but that women will go to see anything.”
Sound familiar? I wrote it on this blog in the past.
The bluntest remarks came from co-chairman of Sony Pictures Entertainment Amy Pascal in Forbes. She talked about the “paltry” amount women make in Hollywood compared to men, about the “unconscious mountain” of rejection against female directors and how “the whole system is geared for them to fail.”
BUT ” … given this year’s crop of female protagonists, she feels more sanguine. “Between ‘Gravity,’ ‘Hunger Games,’ ‘Frozen,’ ‘The Heat,’ and others, that’s $4 billion,” she told the reporter. “That’s a gigantic change.” Now, when we are talking about money there’s something to fight for.
And the key phrase at the end of the article?: “Women have to help each other more. It’s our duty.”
Amen to that Amy Pascal.